The exploration of how borders are drawn and the power dynamics that form the basis of
these discourses is one that I find particularly intriguing. I explore the concept of borders as an
invisible boundary, a limit, or a line of separation. In my work, I confront the implications of
crossing such a boundary and the transformation that happens when it is crossed.
I craft ceramic sculptural vessels through wheel-throwing and hand-building techniques,
influenced by Ghanaian cultural forms such as “kukuo,” a traditional water storage ceramic
vessel, as well as the gourd and calabash fruit, a vessel associated with sojourning. I often
incorporate elements like ropes, the Ghana must-go bags, and chains as a way of connecting to
the historical narrative of displacement and migration. These elements also reflect my own
experiences and the stories of others, as I explore the complexities of identity and how it is
shaped by our shared memories.
Through this body of work, I create a space for dialogue and understanding of the
complexities and nuances of contemporary border discourse. As I explore this discourse, I create
a platform to amplify voices and stories that are often overlooked and silenced. I engage and
challenge the viewer to think critically and reflect on these topics, while also providing an
opportunity to explore the beauty of our shared heritage.